The summer is almost here which for some means sun and fun, and for others it means possible blocks of time to get some real writing done. What is “real writing”? Real writing is working on a project that’s meaningful, to you and that you expect (or would hope) is meaningful to others. It’s writing with a purpose and direction, with the aim of completion and of course, with the intent of sharing it.
Today we welcome a new guest writer to Writer’s Fun Zone, Hiten Vyas, who is stopping by to chat with us about “7 Top Providers of Writing Classes in San Francisco.” Enjoy!
Setting is a crucial part of any story. A while ago, I said it could be handled essentially as a character—for example, by using it to focus on the senses and build emotion. But you can also make your story placement meaningful, not just convenient. You want your setting to be more than a backdrop for events.
This month we listed our medium size house for sale and I moved to our smaller house (a second house that earned its way to first house). The real estate agent recommend that not one, not two, but all the bookcases in the “big” house be moved so as to make all the rooms look larger.
There are blogs, books, software and even podcasts all discussing productivity. So why am I adding to the massive amounts of information that’s already out there?
Many well-known writers have such distinctive writing styles that after reading a few paragraphs, you can identify a book’s author without seeing the cover. In fact, some writers have such distinctive voices that readers pick up their books solely because a particular name is on it,
Let’s say that you’ve written the first draft of your novel, and maybe you’ve even checked to see that all your turning points, your scenes and sequels, are where they’re supposed to be.
We all know the legend of Jack London the adventurer and prodigious writer. He is held up to authors as the epitome of the writer’s work ethic, publishing 50 fiction and non fiction books and hundreds of articles. He made his living by writing and always, always writing at least a 1,000 words a da
For readers of genre fiction, emotion is everything. Mystery readers are looking for suspense. Romance readers are looking for love on the page. And if you don’t generate those emotions in your readers, you’ve failed as a novelist.